A Devil Wears Vulnerable

 Sometimes devilishly ruthless is what works.

From a posh sofa in Manhattan real estate, a caring Art Gallery owner, Lily (Tracie Thoms), calls her hustling journalist friend. Andrea Sachs (Anne Hathaway) or Andy writes for fashion magazine Runway. Fueled on stylish ambition, she and her high couture crew have been traveling from New York to Milan for the year’s lights and pomps and circumstances clothing extravaganza. Andy picks up the phone in Italy.

“Call Stockholm and ask for her syndrome back. Are you kidding me, Andy?”

Lily cannot fathom why Andy now has empathy for a former boss, currently new again, known for hurling her heavy floor-length coat for an underling to catch and put away—until human resources reminds Miranda Priestly (Meryl Streep), Editor-in-Chief at Runway and the deviless herself, that modern employee protocols are not this—like they were in Andy’s day as Priestly’s assistant.

Priestly has been editor for decades and Andy is returning many career-years later to resuscitate Runway. Shocking surprise is how Priestly vulnerably needs Andy to write copy that exudes integrity, a notion often misplaced in feverish fashion making shuffles. Andy never asks what being authentic costs for she goes there at all costs. Priestly is learning from her how.

Stockholm can keep her syndrome because Andy is never held hostage to any dynamic other than claiming her role in a lineage of powerful women. And explains why Andy sees Priestly as inspiring when others see demanding, dominating, excruciating, insulting, and divaing. In a modern world of corporate buy and sell everything, the movie Devil Who Wears Prada 2 deeply portrays how women’s cut-throat competition appears on the surface and real consequences that follow this behavior.

Yet behind the scenes of ruthless veneer is a reality-check that needing each other’s support, friendship, and validation remains the one truly vulnerable goal. These women bring an inherent female-prone characteristic for people-pleasing to endless stitches on a dress hemline. Fashion runway stresses be damned for whatever a woman can achieve to please her female boss will be done, dammit. Andy has her sewing needle—a writer’s keyboard—always at her ready to reestablish her power before a next Priestly word laser.

Priestly’s poison word daggers are unkind yet brilliant for what she says is often accurate—on swift laser-like vision. In her impulsivity though she often cannot envision, or see right before her, how her colleagues are growing professionally over the years. She tells one of her assistants from years ago, Emily (Emily Blunt), who is now boss at Dior, that “You’re not a visionary. You are a vendor.” The fingernail scratchy comment is a way to fight back for Emily designing behind Miranda’s back a business deal for Emily to take over Runway. Yet Emily had said earlier that fashion has lost much creative dynamite and is evolving as simply retail.

Andy’s people-pleasing changes as she sees herself standing for what she believes in, a dramatic process over the years. For one, she perceives Emily as a truer friend. And Miranda she finds inspiring to work alongside because each woman believes in fantastic hustle for a day’s miraculous work. Their leadership appears however the role demands: writing, fashioning, mentoring, voicing, businessing and on and on. The movie sprints on hustle, showing what continuously being in a time pocket called how to get the next impossible done done looks like.

The intensive matriarchal power infusion does not exclude male workers. Nigel (Stanley Tucci) is a fashion creative who has been Priestly’s collegial strength for decades. On her behalf, a strategic phone call he makes behind the scenes so Andy returns working at Runway. Reciprocity happens when she is quickly exasperated with Miranda who directly tells her she is waiting patiently for her to fail. Nigel flatly says, “You needed a job, you wanted a job, and now go figure out how to do your job.” Later the one to encourage Miranda to see Nigel’s talents is Andy. The fashion industry’s competitive hype belies that runway-strength friendships are how the business devilishly thrives.

The fast and furious language dance moves in meaning and nuance take work to absorb and are well-worth an effort, a movie to watch for women mentoring each other through generations. Andy’s underling, a Yale graduate who appears to wander aimlessly towards a yogurt purchase in the midst of an all-stakes business negotiation, is what Nigel calls today’s youth being lackadaisical or a “national emergency.” The truth being the opposite creates a funny comment since reality portrays the underling as an aspiring professional who drops her yogurt spoon under a chair at the business table and leaves her phone there to shrewdly record the meeting. Her work saves the day.

In a corporate suits-driven world, a drift towards artificial intelligence everything, Priestly’s quest for beauty in fashion artistry reveals her vulnerability. For her own success, Miranda will need to continue trusting Andy’s quest to keep her journalistic integrity, above all. Relentless to show Miranda she won’t fail is Andy’s pursuit to interview Sasha Barnes, a millionaire recluse refusing to grant media access. Once a phone number is procured from Sasha’s dog walker, who Lily knows, and Andy leaves countless messages, Miranda has an interview she had found impossible before. Barnes finds Runway’s writing has more “gravitas” than in a long while. Andy keeps her integrity and Miranda revisions Runway’s fashion artistry.

In fashion lore the deal is made based on who you know and how women bring forward generational influence to empower across the decades. After the Barnes interview, the rest is Runway history. If curiosity has you on how and where and what and when and why I guess seeing the movie is an enjoyable must.

And for a movie’s truth on the closing notes, characters return to recognizing that friend relations are the living point all along. The fashion vendor who might be visionary just yet despite Priestly lashing her claim, she and Andy are at lunch when a devil menu item arrives—french fries. “Don’t carb shame me. Carbs shared are half the calories,” is a line Emily says to gather friendship alignment. Andy puts her hand on the table to seal the caring-deal. Spikey one-liners are this movie’s nature and reason why sometimes ruthless works. “I won’t hold your hand, but I will be your friend,” Emily says on a wicked smile.

Muddy River Flowing Clearly

The machine has two tall tires at the front or outside and under where the driver sits and another set of tires in the middle with eventually at the end a last duo of tires bringing six, or eight because the middle might have two and two on each side, to cruise forward a long stretch of metal with windows. Sitting inside the machine I have room for a food nutrition bag under my seat and cozy confined space for my feet to be at rest while seat cushions are plenty soft which means superior support continues on a road-trip roll happening since I’m at ease for the travels. On a map I have a location seen yet while approaching our destination the place is a mystery.

The driver announces on a speaker, “Folks, in a few minutes we will be arriving.” Soon a descent begins on several long full-circular swings, deftly and swiftly achieved for such a heavy forward motion. This pro has driven here many times before. Probably three or four skillful circles are successful and in a squeezed deep underground space are 40 slots efficiently designed for these machines (another side of this underground building has 40 more machine parking areas). Once inside the terminal we have bright lights, people milling around, and warbly voices announcing arrivals and departures. Right now though our travel mobile is narrowly parked in a slot, a few feet tightly free on either side before another metal contraption rightfully takes a place, and our small crowd of 30 passengers or so are exiting. We made the journey.

Where we are is the Port Authority Bus Terminal in downtown New York City at 625 8th Avenue, New York 10109 and open 24 hours daily. No one can claim to have traveled in America until spending an entire day here: bring a backpack of homemade food, water bottle, and every awake five-sensory ability to witness how our sixth sense called intuition sees hopeful lives.

Before any new career starts or college years are begun or a family is soon to be born or an American passport is accomplished—a requirement needs to happen for spending one full day here. The place is a visual church on how every spiritual walk of life lives. And if you haven’t been an observer how can a fullest life be claimed? Just asking is all.

Waiting for a next bus connection, a few hours is what I devoted for prayerful observation. Still, I saw a few details or rather a few hundreds. In fitful despondency we claim America is falling apart and social mayhem plus political anarchy rule. Sweet honesty is that when folks are on a budget and a dream to get there anyway, we have harmonious. The Port Authority Bus Terminal operates like a sophisticated ant hill, what Native Peoples’ based kiva design on because underground is hospitable for spiritual ceremony. And in this location, I find watching my people is one, a heartfelt observation ritual that gifts more empathic spirit, a ceremony to recognize real lives.

Like an ant hill, the bus station operates routinely precise and reliable: janitors are sweeping, ticket operators are selling freedoms to wherever, travelers are looking into lunches made before, foreign languages are lovingly spoken to keep this tribe unified, buses are shiny and ready to depart, public bathrooms are clean, security guards are friendly and watching like helpful hawks, fresh drinkable coffee dispenses from vending machines, cafes are open serving variety foods, and a convenience store sells food at popular prices meaning we the people can shop here.

Last essay I sent every American high school student away to Zen University and now I’m sending every US citizen to the Port Authority Bus Terminal. Looking like continual progress every two weeks to say how else can we live except on simplicity? Every consumerism widget has been made, many never necessary in the first place. And now we are learning how to live without the original gadget for a healthier nature environment. If a life is in simplicity balance and work happens for another reason besides consumerism then what for? What I observe is spiritual uplift during random perceptions of beauty on travels.

A ceramic cup travels at an airport and a bus terminal equally well. If a woman decides, she can be powerfully solo while on a cross-country bus voyage. Travelers get a knowing smile when noticed is a flower growing despite a sidewalk, just enough open edge for soil to be alive beneath cement. For me, random granular beauty like this is a reason why travel enriches my life especially when diverse people are the beautiful.

One family at the Port Authority Bus Terminal had stacking metal containers nearly as tall as their toddler. In one was rice and another a vegetable and a third a chicken sauteed. From these a portion goes onto paper plates and chopsticks, too, to be for disposal when a shared meal finishes in the bus station, a pause before departure. Another traveler is a college student having purchased a large slice of pizza from one of the cafés upstairs, where the escalator goes for a floor or two or three in the bus station, and she is now comfortably nutritioned for the bus ride.

Most passengers are disciplined in waiting for travel to begin—listening to music, reading a newspaper, watching other people, keeping children occupied, helping seniors, answering questions other travelers have, and sleeping lightly to raucous background bus station noise. Every life descriptor can be seen: people of all races, sizes, heights, ages, cultures and LGBTQ+ are here traveling on a thoughtful frugality because the bus system works. America has these highly beauty-centric ways of being too seldom described in travel portraits.

A few summers ago, I purchased a one-way ticket from Providence, Rhode Island to Denver, Colorado for $245. Several buses drove nearly 2,000 miles across Rhode Island, Connecticut, New York, Pennsylvania, Ohio, Indiana, Illinois, Iowa, Nebraska and eventually Colorado. Takes two and a half days: read, music, food, rest, talk, photograph, map, listen, ask, restroom, wait, and travel continually on the bus. Random rural stops way out in America’s countryside, wait times at postage stamp locations, and, diverse travelers historical on hope for uneventful mileage and successful arrival, are experiences inherent to the process. These truths happened along this trip and how exhausted yet grateful I was that my family journeyed together, my 11-year-old son Darien having made the voyage, too.  

Last summer seeing granular beauty in unlikely travel vistas happens when Pueblo, Colorado is near. Angling to be seen while I am driving on a two-lane highway is a mammoth, dilapidated factory quilted in a patchwork of rust. Picture several Wal-Marts all lined up in one rectangular stretch. How in the world and what is going on and when did the structure—I stopped asking myself questions and spiritually gave in that I would discover soon enough once wandering around Pueblo town.

Town is a quiet mixture blending houses and business no longer in use neighboring with lively small businesses and renovating houses to signal old failures and new inspirations. One devotional consumerist locale changed the oil for my road-trip car and Darien waited in a hipster customer room: coffee, television, magazines, and stylish 50s décor. Rather than sit around I went for a walk a few blocks away and discovered Pueblo’s artfully created museum. What I learned is that the rusty quilt has been a steel mill for 150 years until several of the buildings closed and currently functioning well are edifices focused on melting steel often repurposed for railroad tracks. The stupendous fact of beauty is solar power.

Historically the steel mill had been coal powering furnaces that create a hazardous work environment. And not surprisingly for the steel mill owners the factory was extremely profitable  in the late 1800s and forward during railroad construction eras. And also explains why I observed so many banks for a small town, a few now shuttered. Eventually employees went on strike for more humane working conditions. Many employees left for good going to college at Colorado State University Pueblo and on to new career paths. And more than a few attended college, returning after to work at the steel mill factory given higher wages than elsewhere.  

Pueblo’s travel anecdote is a meteor for granular beauty lighting across the sky, a reminder to learn what complexity resides in diverse lives and doing so feels like a random act of kindness for my own life well-lived. If I had judged that first dilapidated factory building, I might have driven away curiosity. Instead, I listened to my intuition and went exploring. Expansively enriching are modern business organizations that inspire. Today the ESRAZ Rocky Mountain Steel mill in Pueblo is 90 percent solar powered, edging radically away from coal and furnaces and towards the future like a flower growing on a cement sidewalk, unlikely yet entirely possible.  

Now just last summer I heard crackling lightning and thunder drums sounding across a few mountain ranges. My $35 tent I perched underneath a tree to weather this storm. Several feet away is the Pecos River, a tributary through American southwest culture and history. So far during one week traveling through New Mexico what have been are a blessing in clear skies, helpful winds, and encouraging sunshine. Not this evening though. Surprising me is that June is an exact month for seasonal monsoons.

Everyone had been crowing like Black-billed magpies that serious weather is imminent. Villanueva State Park ranger said so, friendly lesbian couple told me again, a septuagenarian duo at one campsite over confirmed the news, and I heard hikers animated in conversation to get real: a storm was on her way. I had no idea what to expect in this Villanueva region, a nature scenario riveting on beauty backroads, a simple hour south of Santa Fe.

Cozily asleep around 9ish evening time, only an hour later I heard a clamorous thunder stomp and a jump-in-place lightning slap. I knew then the gossip earlier is true. A deluge began and thanks for an air mattress resting high enough off the tent ground. Unlikely to float into the Pecos River. After two intensive hours of constant thunder and lightning and rain buckets emptied from the sky, I heard the shout.

“Mom!”

Rarely have I heard my son shout like this. I researched around my sleeping zone and sure enough I was floating in a storm lake called the bottom of my tent. Dipping my feet into the water, I was still able to haul my air mattress outside and dashed for the adobe roofed space. Here I could weather proof an evening’s rest. Over the storm volume of constant thunder, lightning, and rain intensity, I could at least speak.

“What is it?” I shouted.

“Are you okay?” Darien asked from inside a tent dry and comfortable under an adobe roof, a location he had chosen earlier in the afternoon.

“Is that all? You woke me up in the middle of the night? I’m fine and the storm will be gone in a while I am sure,” I reassured him not at all certain myself but confident sounds are 97 percent of Mama work. “Go back to sleep and I’ll see you in the morning.”

“Where are you going?” he asked hesitantly. Again, this kind of uncertainty is not what a teenager had brought on the trip so far. I smiled. Even the “toughest” can be vulnerable when a Mama might be in peril.

“I’m going to set up camp right here. Now good night and get rest.”

The next day’s bright sunshine facilitated moving all the rain-infused items from my tent to easily air dry while summer sunrays did the work. Next night exact same summer storm procedure with intensive thunder and lightning from 10 pm until early morning followed with another warm sunshine day.

What keeps in my memories vision from these two camping days are Pecos River and her beauty changes. When I first arrived the river waters had a silvery dancing bubbly flow. Before the storm a few golden light shards keep glimmering on the river’s clear water at sunset. Entirely serendipitous was this campground discovery. Truly like finding a flower growing in a cement sidewalk edge. A brief afternoon hike when I got to the campground showed mountain ridges speckled with brilliant blues, yellows, oranges, and reds from flowers growing unlikely wedged in rocks. Made me laugh how persistent a flower must be to grow despite such a large obstacle.

What radically went from a clear water river to a muddy river flowing clearly on meaning for my life is this Pecos River. After 48 brief storm hours, the river now flowed a deep red-chocolate color rushing forward yet slower. Where I had stood on a river bank two days before was now three feet higher given the river’s growth. Traveling and observing random beauty can be overwhelming, for sure, like this seasonal storm. Makes sense what Shakti Gawain explains in her book Creative Visualization: “Let us imagine that life is a river. Most people are clinging to the bank, afraid to let go and risk being carried along by the current of the river.”

Yet if deciding on a leap of faith to jump into life’s metaphoric river, now Gawain reminds that “once she has gotten used to being in the flow of the river, she can begin to look ahead and guide her own course onward, deciding where the course looks best, steering her way around boulders and snags, and choosing which of the many channels and branches of the river she prefers to follow, all the while still ‘going with the flow’.”

For all diverse women—lesbian, genderqueer, straight, bi, and trans—making a decision to nurture creative life flow has consequence. Clarissa Pinkola Estes clarifies in Women Who Run with the Wolves, Myths and Stories of the Wild Woman Archetype that “the creative force flows over the terrain of our psyches looking for the natural hollows, the arroyos, the channels that exist in us. We become its tributaries, its basins; we are its pools, ponds, streams and sanctuaries...this is not a slight thing to be ignored. The loss of clear creative flow constitutes a psychological and spiritual crises.”

Modern life has distraction and what I discover through travels are creative ways to return and discover nurturing spirit, lively soul dances in unlikely observations. Estes describes that “in the Hispanic Southwest, the river symbolizes the ability to live, truly live…always behind the actions of writing, painting, thinking, healing, doing, cooking, talking, smiling, making, is the river, the Rio Abajo Rio; the river under the river nourishes everything we make.” And each and every one of us decides what to make of our lives one beautiful day at a time.